Art Channel

Printmaking.⁠

Imprints.⁠

Reconstruction based on fragments.⁠

Deep excavations.⁠

Storage. Archival quality.⁠

Light, sound, waves hitting a wall.⁠

–Images offer a direct connection to parts of us that bypass rational thinking.

–I am drawn into the gratification of both the negative/positive or digital capture.

–What to do after trauma and fragmentation?

–I don't "make" the objects and situations, but recognise them when I see them.

–I am currently working between photography and sculpture.

–I don’t do photography. ⁠

–Cameras capture a type of unchanging time that we can use to understand the more elastic nature of our lived experience. ⁠

–Artists need to find new strategies to make their images beautiful and powerful.

–I make use of image search algorithms in order to visualize a cross-section of our current image production.

–There is no better way to tell the truth and a lie at the same time⁠.

–I obsessively observe and consume, attaching in intimate or inappropriate ways with images, narratives or memories and recreate them line by line with wool yarn on a loom. ⁠