New Visions
The Henie Onstad Triennial for Photography and New Media
It is the first major international presentation of its kind in Norway and fills all three gallery spaces of the ground floor at the museum.
The exhibition foregrounds practices that acknowledge the fluctuating and networked condition of contemporary photography and society more generally, while also articulating a keen sensitivity towards the history of photography and art. Abstraction, digital and manual collage, new configurations of still life and the human body are key tendencies. The works on view are produced within the last three years and several are exhibited for the first time.
The title New Visions, refers to the program for a New Vision developed by László Moholy-Nagy in the interwar period, and that greatly impacted experimental photography throughout the 20th-century.
In conjunction with the exhibition, a volume titled Why Photography? is published by Skira Editore. The publication includes pointed interviews with all artists, asking how they relate to photography as a technical apparatus and process, and why they have chosen photography. Following the interviews are presentations of recent work by all artists. Why Photography? is edited by Behzad Farazollahi, Bjarne Bare and Christian Tunge, and co-edited by Susanne Østby Sæther. Introductory essays are written by Susanne Østby Sæther .
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Morten Andenæs, Viktoria Binschtok, Lucas Blalock, Lucile Boiron, Asger Carlsen, Louisa Clement, Sara Cwynar, Ingrid Eggen, Roe Ethridge, Victoria Fu, Espen Gleditsch, Andrea Grützner, Annette Kelm, Nico Krijno, Owen Kydd, B. Ingrid Olson, Linn Pedersen, Matt Rich, Erin M. Riley, Maya Rochat, Johan Rosenmunthe, Torbjørn Rødland, Viviane Sassen, Paul Mpagi Sepuya, Timur Si-Qin, Wolfgang Tillmans, Sara VanDerBeek, Hannah Whitaker, Carmen Winant, Letha Wilson and Daisuke Yokota.
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The first editon is curated by Susanne Østby Sæther in collaboration with Behzad Farazollahi and Christian Tunge from the artist-run gallery Melk in Oslo.
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